This Girl Runs On Jesus And Dancing
by Ballet Lined Journal Publishing
Barra Instructor Nutritional Facts Weekly Planner 2020
by Instructor Planners Bgi
2019-2023 Five Year Planner (2019-2023 Five Year Planner Monthly Schedule Organizer, #1)
by Amy J Morley
In recent years, site-specific dance has grown in popularity. In the wake of groundbreaking work by choreographers who left traditional performance spaces for other venues, more and more performances are cropping up on skyscrapers, in alleyways, on trains, on the decks of aircraft carriers, and in a myriad of other unexpected locations worldwide. In Site Dance, the first anthology to examine site-specific dance, editors Melanie Kloetzel and Carolyn Pavlik explore the work that choreographers cre...
This issue examines how dance is transformed by cross-pollinations and how artistic practice incorporates transnational perspectives. Drawing on the work of the World Performance Project at Yale and its 2008 Festival of International Dance, contributors explore the hybrid expressions being created by a new generation of artists.
This book explores the Broadway legacy of choreographer Agnes de Mille, from the 1940s through the 1960s. Six musicals are discussed in depth - Oklahoma!, One Touch of Venus, Bloomer Girl, Carousel, Brigadoon, and Allegro. Oklahoma!, Carousel, and Brigadoon were de Mille's most influential and lucrative Broadway works. The other three shows exemplify aspects of her legacy that have not been fully examined, including the impact of her ideas on some of the composers with whom she worked; her abili...
Robert le Diable (Language of Dance)
by Ann Hutchinson Guest and Knud Arne Jurgensen
Robert le Diable: The Ballet of the Nuns offers a new approach to the study of one of the most ground-breaking works in European ballet history. Based on the choreographic notations made by the great nineteeth-century Danish choreographer, August Bournonville, this spectral dance scene has been recreated by Knud Arne Jurgensen with the precision afforded by Labanotation, here recorded by Ann Hutchinson Guest. Supported by extensive historical source materials and study and performance notes, thi...
This is a handbook for working in the creative arts, with an emphasis upon imagination and receptivity: to our bodies, to our surroundings, our materials, and to what we create. It will be of value to anyone interested to explore their lives through an active engagement in the arts. It puts particular emphasis upon the sensing, feeling, moving body as a basis for any imaginative activity. The book describes sources and strategies for working within and between various forms of expression, includ...
Sequential Movements (Advanced Labanotation, Issue 4)
by Ann Hutchinson Guest and Joukje Kolff
How to write a successive movement in Labanotation, a movement that flows from one part of the body to another in succession, passing from joint to joint or vertebra to vertebra. It analyzes different forms of sequential movements, including the body wave often used in early modern dance. The book also shows how the notation has been applied in recording exercises and compositions by Shawn, St. Denis, and Humphrey.
Manuel Complet de la Danse, Comprenant La Théorie, La Pratique Et l'Histoire de CET Art (Arts)
by Blasis C
Ballroom and Latin Dance Student Journal 2020
by Dancing Feet Journals & Notebooks
Hailed as “British dance’s true iconoclast”, Michael Clark is a defining cultural figure in the contemporary dance world. Since emerging in the early 1980s as a prodigy at London’s Royal Ballet School, Clark has remained at the forefront of innovation in dance, working in close collaboration with a broad range of pioneering artists such as Sarah Lucas, Leigh Bowery, Charles Atlas, Cerith Wyn Evans, Peter Doig, Elizabeth Peyton, Wolfgang Tillmans and musicians such as Mark E. Smith, Wire, Scritti...
Tony and Olivier Award-winning Bob Avian's dazzling life story, Dancing Man: A Broadway Choreographer's Journey, is a memoir in three acts. Act I reveals the origins of one of Broadway's legendary choreographers who appeared onstage with stars like Barbra Streisand and Mary Martin all before he was thirty. Act II includes teaching Katharine Hepburn how to sing and dance in Coco and working with Stephen Sondheim and Michael Bennett while helping to choreograph the original productions of Company...