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The 1950s and early 1960s in Brazil gave birth to a period of incredible optimism and economic development. In The Affinity of Neoconcretism, Mariola V. Alvarez argues that the neoconcretists-a group of artists and poets working together in Rio de Janeiro from 1959 to 1961-formed an important part of this national transformation. She maps the interactions of the neoconcretists and discusses how this network collaborated to challenge existing divides between high and low art and between fields su...

This text, derived from the manuscript in the National Library of Ireland, describes Roger Casement's journey into the South American rainforests to investigate atrocities against tribal people of the north-west Amazon. It follows Casement's transition from observer to anti-imperial revolutionary and Irish patriot, leading to his execution by the British in August 1916 after the failure of the Easter Rising.

In the Mind’s Eye opens new avenues of inquiry about the Caribbean island which has played an outsized role in global politics, economics, and culture. For centuries an Edenic image of fantasy and escapism has been projected onto Cuba by observers from North America and Europe. Until recent times, the harsh historical and contemporary realities of servitude, racial strife, and environmental degradation rarely colored artists portrayal of the country, presenting a skewed perspective on this natio...

Diego Rivera - A revolutionary and troublemaker It was as a revolutionary and troublemaker that Picasso, Dall and Andre Breton described the husband of Frida Kahlo, Diego Rivera, but he was also responsible for creating a public art that was both highly advanced and profoundly accessible. From 1910 Rivera lived in Europe where he absorbed the influence of Cubism. After the Mexican revolution, however, he returned to his homeland and harnessed the lessons of the European avant-garde to the needs...

This title presents a superbly illustrated and discerning exploration of the history, heritage, and future of California's Missions. Combining an engaging narrative with historical paintings, archival photographs, and recent full-colour photography, this volume presents readers with a fascinating overview of these iconic institutions. Beginning with an authoritative look at their founding and early history, "The California Missions" then goes on to examine their rediscovery in the late nineteent...

Compelling survey of Xicanx art that has shaped visual culture over the last 50 years. Xican-a.o.x. Body centres the political and creative resistance of Xicanx artists from 1968 to the present. The publication presents new histories of Xicanx art, illustrating how artists foreground the Brown body to explore, expand, and complicate conceptions linked to Chicanx, Latinx and Xicanx experiences. The publication offers new insights into more than 50 years of Xicanx art, examining influential...

Gómez-Peña Unplugged is an anthology of recent and rewritten classic writings from Guillermo Gómez-Peña, a figure who stands alone as unique and ground-breaking in the history of performance art and as the artistic director of transdisciplinary performance troupe La Pocha Nostra. Throughout this collection, Gómez-Peña tackles literature, theory, pedagogy, activism and live art in an eclectic mix that demonstrates how the process of writing is simultaneously a performative exercise in embodied...

Gronk was born in 1954 in the barrios of East Los Angeles. An autodidact by circumstance, he began his career as an urban muralist who had to look up the word “mural” to know whether he could paint one. Over time, he has grown into an international figure who has created grand sets for operas and computerized animation for panoramic screens.   In this sweeping examination of Gronk’s oeuvre, Max Benavidez elucidates how the artist can cross genres, sexual categories, and ethnic barriers, yet st...

How California’s counterculture of the 1960s to 1980s profoundly shaped—and was shaped by—West Coast artistsThe 1960s exert a special fascination in modern art. But most accounts miss the defining impact of the period’s youth culture, largely incubated in California, on artists who came of age in that decade. As their prime exemplar, Bruce Conner, reminisced, “I did everything that everybody did in 1967 in the Haight-Ashbury. . . . I would take peyote and walk out in the streets.” And he vividly...