The enchanting prequel to The Lord of the Rings, The Hobbit is the classic fantasy that inspired Peter Jackson’s major motion picture trilogy
When Thorin Oakenshield and his band of dwarves embark upon a dangerous quest to reclaim the hoard of gold stolen from them by the evil dragon Smaug, Gandalf the wizard suggests an unlikely accomplice: Bilbo Baggins, an unassuming Hobbit dwelling in peaceful Hobbiton.
Along the way, the company faces trolls, goblins, giant spiders, and worse. But as they journey from the wonders of Rivendell to the terrors of Mirkwood and beyond, Bilbo will find that there is more to him than anyone—himself included—ever dreamed. Unexpected qualities of courage and cunning, and a love of adventure, propel Bilbo toward his great destiny . . . a destiny that waits in the dark caverns beneath the Misty Mountains, where a twisted creature known as Gollum jealously guards a precious magic ring.
© New Line Productions, Inc. All rights reserved. THE HOBBIT: AN UNEXPECTED JOURNEY and the names of the characters, items, events and places therein are trademarks of The Saul Zaentz Company d/b/a Middle-earth Enterprises under license to New Line Productions, Inc.
- ISBN10 0345534832
- ISBN13 9780345534835
- Publish Date 18 September 2012 (first published 1 January 1938)
- Publish Status Active
- Publish Country US
- Imprint Del Rey Books
- Edition Media tie-in
- Format Paperback (US Mass Market)
- Pages 320
- Language English
- URL https://penguinrandomhouse.com/books/isbn/9780345534835
Reviews
Amber
Grace
Briana @ Pages Unbound
The Hobbit follows the traditional quest pattern: a character goes on a predetermined adventure seeking something (in this case treasure) and then comes home again. But the story is often more about the journey than the ultimate goal. The Hobbit, then, is partially about finding treasure, but it is also about the adventures experienced along the way, and some of the story’s most memorable moments come before the dwarves and Bilbo are anywhere near the Lonely Mountain. The book is episodic, but it is supposed to be; it is a bunch of mini adventures that the reader is swept into with Bilbo, and we experience with him a mixture of fear and hope when we wonder what possibly could happen next. We thought the hard part would be getting treasure from a dragon, but it appears there are other dangers in the world. This is a classic literary structure, and it provides the hero with the opportunity to prove himself or prepare himself before he reaches his ultimate goal. Tolkien just turns things a bit upside down by giving his readers an unlikely hero who is physically small, mentally doubtful, and very worried about having left his home without his pocket handkerchief.
Tolkien’s ability to take the classic quest and make it something new, imbued with comedy and joy, is what makes The Hobbit so enjoyable. Reading the book, it is evident exactly how much fun Tolkien had while writing it. He includes funny poems, he describes his characters looking physically ridiculous with their hoods wagging or their big noses sticking out of spider webs, and he makes trolls talk like British cab drivers. He lets us picture Bilbo, his hero, running around in a panic trying to think of a plan. The lightheartedness is somewhat contagious, and it lets the readers know that even though there are cruel goblins and greedy dragons, the world is still good.
Of course, The Hobbit is not completely a comedy. It keeps it roots in literary tradition. Like many good children’s tales, there are a few morals; for instance, it is okay to have a love of beautiful things, but remember that immaterial things are more important. Thorin tells Bilbo, “If more of us valued food and cheer and song above hoarded gold, it would be a merrier world.” But this statement is more than a warning to children not to be too attached to money; it is a clear echo of the Anglo-Saxon philosophy that characterizes epics like Beowulf. The Anglo-Saxon belief is that gold is a good thing, but it ought to be freely gifted and shared. When a king begins hoarding his gold, he becomes a bad king. (Dragons who keep treasure but do nothing with it, then, are an obvious symbol of evil.) In fact, Tolkien gives a little nod to Beowulf by having Bilbo’s theft of a cup first awaken Smaug.
The Hobbit may not be an epic, but it is a very clever children’s tale. It expertly combines an adherence to and disregard for literary conventions in a way that makes the story seem familiar and complete but also interestingly new. Like Bilbo himself, there is more to The Hobbit than at first meets the eye. Children, adults, and scholars will all be able to find something in this book, even it if is not what they were expecting.
This review was also posted at Pages Unbound Book Reviews.